Billed as “St James Infirmary (Dub) by Jeremy Phipps and the Outsiders feat. Maddie Ruthless,” it sounds more ska/reggae than dub to me, but I’m not exactly an expert. (Feel free to set me straight in the comments.) Anyway, Ruthless has a nice voice and the vibe, whatever its proper label, is excellent. Worth a listen!
This morning I posted a bit about bringing back the no notes mailing list using a different service.
Right after that I came to grips with a major problem with the different service and realized I couldn’t use it. So I deleted the post. But some people saw the post — probably in their RSS readers. Maybe you see it right now? IGNORE IT! I BEG you!
If you do want to join the no notes mailing list, do it here.
This is pretty cool: Virtual Memories/Gil Roth names LfNO among his “favorite nonfiction books of the decade” just ended! The full list of fiction and nonfiction titles, with concise commentary, is here.
Pic by Steve Witchbeam/WFMU blog; click it for more.
E told me several weeks ago she’d read that the Mother In Law Lounge (a setting explored in LfNO) was closing. There’s a nice batch of pictures of the exterior on the WFMU blog, here. Steve Witchbeam writes:
Under the impression it was still a happening venue I headed over there with Crow Hill Gnostic Temple’s Sister Jillian to check it out Saturday afternoon. It was weird, even though the outside is covered with vibrant, beautiful and exquisite murals it seemed like the life was gone. We took some pics (below!), hung out and moved on. Sunday afternoon we happened to bump into a person featured on one of the murals, the world class puppet mistress Miss Pussycat, and she informed us we missed the last show there by just a week.
Mr. Witchbeam also points to this (brief) interview with Daniel Fuselier, the artist who painted the Lounge’s murals.
Here’s an entertaining, if incomplete, snippet of video from Voodoo Fest, via Brooklyn Vegan. It’s a double version of “SJI” performed by Preservation Hall, with assists from My Morning Jacket members. The clip starts fairly deep into version one, with guest vocals by Jim James, who as noted here previously does a turn on the most recent Preservation Hall record. “James sang it straight, as a bluesy dirge,” writes Alison Fensterstock. “Once he concluded, [My Morning Jacket drummer Patrick] Hallahan grabbed a pair of sticks and joined drummer Joe Lastie for a hot, swung-out version.” That happens at about the two-minute mark on this video. The transition is really fun.
Hall vocalist Clint Maedgen scorched the mic; plenty of cowbell and tambourine gave the number a street-parade, Mardi Gras Indian feel (sort of like Wardell Quezergue’s famous production of the Dixie Cups’ “Iko Iko,” which, legend has it, utilized ashtrays and water glasses for its unforgettably clanky percussion.)
After the song, the band second-lined out and into the crowd, then returned to the stage for a closing version of Leadbelly’s “Goodnight Irene.”
Unfortunately, the clip ends well before the song does — but she’s right, this second version is superhot. And while we don’t get to see the band head into the crowd, there are some very amusing shots of fully Halloweened-out audience members dancing.
I was listening to Sound Opinions’ recent episode of “scary” songs (Halloween-connected and otherwise), and was interested to hear a Willie Dixon/Koko Taylor tune, “Insane Asylum.” Check the opening lyrics:
I went out to the insane asylum
And I found my baby out there
I said please come back to me darlin’
What in the world are you doin’ here?
Then the little girl raised up her head
Tears was streamin’ down from her eyes
And these are the things
That the little girl said ….
Full lyrics after the jump, or you can hear it here:
The hosts made no mention of “SJI,” and of course it isn’t really a cover, but I think the reference point is pretty clear.
A couple of years ago I did some research into the song "St. James Infirmary," wrote up what I found, emailed that essay to friends and posted it on my web site (as part of a series of "Letters From New Orleans," as I was living in that city at the time). Based on the feedback, I wrote a second version of the essay, and asked for more feedback. Based on that, I wrote a third version.
And now, this site: A place to collect some of the links, leads, thoughts, and suggestions relating to the song that readers (from Finland, The Netherlands, Australia, Spain, England, Sweden, Canada, and all over the U.S.) have sent me. This may lead to a fourth and significantly expanded version of the essay, some day. Also on this site: Plenty of tangents.
The most recent version of my "St. James Infirmary" essay is now a few years old. But it's still a fairly decent overview of what I know about the song, and why I'm interested in it. You can read it either in the book Letters from New Orleans (see below), or in the archives of The Gambit, the New Orleans weekly that published the piece as a book excerpt when LfNO came out.
The Book
This site is a partial spinoff of the book Letters from New Orleans, published by the unstoppable Garrett County Press. My interest in "St. James Infirmary" is the subject of one essay in the book. All author proceeds from the book still go to post-Katrina relief efforts, so I think it's okay for me to say: You ought to buy it.
Podcast!
In November 2007 I was invited to do an all-"SJI" episode of the outstanding Podcast The Sounds In My Head. My episode is here. Post about it (with playlist, so, you know, spoiler alert) is here.
I either own or am familiar with a bunch of versions of S.J.I. and close variations by a variety of artists. Here's a list, in progress. For now I'm concentrating on SJI, rather than its folk antecedents or any of the "Streets of Laredo" thread. Title is "St. James Infirmary" or "St. James Infirmary Blues" unless otherwise noted: