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Archive for the ‘Musical context’ Category

Wednesday night here in Savannah there was a showing of the Todd Haynes movie I’m Not There — his wild riff on the idea of Bob Dylan, using six different actors to portray aspects of Dylan-ness — at a coffee shop here, courtesy of The Psychotronic Film Society. It was pretty crowded, kind of too [...]

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The NYT, if you didn’t see it, had what I thought was a pretty good article about “Louisiana 1927,” the Randy Newman song that has a kind of second meaning now, post-Katrina. I almost wrote something about that song on this site once, and maybe I’ll dig up my draft and try to revive it [...]

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Irvin Mayfield’s latest venture: “A multimillion-dollar library system that reflects the city’s identity. It would start with a jazz-themed branch housing early recordings and reviews.”
I’d visit!

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Jazz and the brain

A rather fascinating writeup describes attempts to deconstruct creativity in the brain by studying … jazz musicians!
“There were a lot of constraints,” [researcher Charles] Limb said. “Some were ergonomic. The musicians would lie on their back in a tube, which came up to their shoulders. There was a coil around their head. They were looking [...]

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So suggests Bettye LaVette in this interview. Regarding her past manager John Lewis she remarks:
He made me learn good songs, which enabled me to do Broadway or sing in New Orleans, because I knew “St. James Infirmary” and “Bill Bailey.”

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About two years ago, I wrote up some brief thoughts about a potential Jewish connection to “St. James Infirmary, thanks to some thoughtful observations by reader Larry Broomberg. (See that post here.) I noted at the time that I was (and remain) in no position to speak with authority on Jewish music, but that I [...]

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I just recently mentioned the Trombone Shorty version of “SJI,” so I thought I’d pass along this: A recent NPR piece on Trombone Shorty. No mention of “SJI,” sadly, but interesting comments from writer Larry Blumenfeld, pillar of the N.O. music community Bob French, and Trombone Shorty’s brother James Andrews (also a pillar of the [...]

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By way of WFMU’s Beware of The Blog, I came to this online exhibit by the Tulane University Hogan Jazz Archive. The subject is Riverboat Jazz, and it’s pretty interesting.
It’s sort of set up like a slideshow, and doesn’t take all that long (20 minutes?) to read through, so I recommend taking a peek. But [...]

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I received an email a little while back from a reader in California, who wondered if there might be a connection between Dr. John’s 1982 “Touro Infirmary” — which I wrote about here — and Muggsy Spanier’s “Relaxin’ At The Touro.”
From what I was able to learn online, Spanier was born in Chicago in 1906 [...]

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Josh White revisited

For a while now, bit by bit, I’ve been working my way through “The Folkways Collection,” a 24-part (!) Podcast series about Folkways Records. Today I hit episode nine, “The Blues.” About halfway through, Josh White’s “Free & Equal Blues” came up; the narrator explained the context, which was a protest/satire of the absurd practice [...]

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