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Regarding “St. James Infirmary” and other things related to the book “Letters From New Orleans”

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Live

May 24, 2007 by nonotes

Live, originally uploaded by R. Walker.

 

Thanks to a tip from our friend Mr. Franklin, we wandered up the street to the nearby Starland building’s Desoto Row “Music Space,” which is really a street, to check out a New Orleans band called Why Are We Building Such a Big Ship. (You can hear some of their music on their MySpace page.) They’re sort of like a New Orleans-y version of Gogol Bordello, and they were a lot of fun.

The event was extremely low key, there were maybe thirty or forty people there to check it out, mostly young people who I assume were Savannah College of Art & Design students. This little alley-like street isn’t an official venue, and so far as I know musical happenings there aren’t really advertised or even announced, you just have to know about it. In a way, the scene reminded me of things that used to happen in Austin when I was a student there in the late 1980s, and, of course, of things that used to happen in New Orleans. I’ve always said the quality of street musicians in New Orleans was shockingly high, and I can totally imagine this ensemble being as comfortable and impressive on the streets as in a bar.

The members of the band — horns, accordion, drums, stand-up bass — were threaded out in vintage wear that looked like it really came from thrift stores, not from boutiques, and there was something vaguely post-apocalyptic about them. Like they had just crawled out of some ruins and decided that given how bleak everything looked, they may as well go on tour. There was a bit of tension in their sound. And why not? I have no idea what it’s like to live in post-Katrina New Orleans, but I imagine that, added to the usual mix of defiant celebration in the face of the various risks and troubles that have always been part of the city’s culture, there might be a little something that’s not quite anger, but certainly encompassing tension.

I don’t want to make it sound like they were a downer, or confrontatinoal. The vibe was definitely celebration, live for today, go on the road and play for people for basically no money, with no permit, drink some beer, have some fun, then get back on the road to the next town, and things will somehow all work out.

I’m also not saying this is the best band of all time or whatever. There are tons of great musicians in New Orleans, obviously. Maybe it was just that I was enjoying a lovely night, and a little bit of a hint that maybe things can still happen under the radar in the age of coolhunters and Web hype and new-new-thing mania that ends up trivializing underground culture, rather than celebrating it. It was a relief, for instance, that nobody from Red Bull or Toyota Scion suddenly popped up to hand out stickers and merch or whatever. It was old school. I wish these kids a lot of luck. According to their MySpace page, they’re headed north to Philly, New York (ABC No Rio! Good choice!), and points beyond. If you’re in their path, check them out.

Posted in New Orleans, Other Music + | 3 Comments

3 Responses

  1. on May 24, 2007 at 10:29 am Lauren Cerand

    Oh, I will!


  2. on May 25, 2007 at 11:11 am Marco

    Tension -> Anger and why not?


  3. on May 31, 2007 at 8:24 am darby

    i saw them for free in a park in west philly with a bunch of dancing crusties and they were awesome. thanks for the head’s up.



Comments are closed.

  • “St. James Infirmary”

    [Or: The Point of this Site]

    A couple of years ago I did some research into the song "St. James Infirmary," wrote up what I found, emailed that essay to friends and posted it on my web site (as part of a series of "Letters From New Orleans," as I was living in that city at the time). Based on the feedback, I wrote a second version of the essay, and asked for more feedback. Based on that, I wrote a third version.

    And now, this site: A place to collect some of the links, leads, thoughts, and suggestions relating to the song that readers (from Finland, The Netherlands, Australia, Spain, England, Sweden, Canada, and all over the U.S.) have sent me. This may lead to a fourth and significantly expanded version of the essay, some day. Also on this site: Plenty of tangents.

    Never heard "St. James Infirmary"? Start here.

  • The Essay

    gambit-cover.jpg

    The most recent version of my "St. James Infirmary" essay is now a few years old. But it's still a fairly decent overview of what I know about the song, and why I'm interested in it. You can read it either in the book Letters from New Orleans (see below), or in the archives of The Gambit, the New Orleans weekly that published the piece as a book excerpt when LfNO came out.

  • Podcast!

    In November 2007 I was invited to do an all-"SJI" episode of the outstanding Podcast The Sounds In My Head. My episode is here. Post about it (with playlist, so, you know, spoiler alert) is here.
  • a

  • The Book

    This site is a partial spinoff of the book Letters from New Orleans, published by the unstoppable Garrett County Press. My interest in "St. James Infirmary" is the subject of one essay in the book. All author proceeds from the book still go to post-Katrina relief efforts, so I think it's okay for me to say: You ought to buy it.

  • Mailing List

    For (very) sporadic site updates and other news via email, visit this page.

  • Versions

    I either own or am familiar with a bunch of versions of S.J.I. and close variations by a variety of artists. Here's a list, in progress. For now I'm concentrating on SJI, rather than its folk antecedents or any of the "Streets of Laredo" thread. Title is "St. James Infirmary" or "St. James Infirmary Blues" unless otherwise noted:


    A - B -C

  • Aempirei
  • Henry "Red" Allen
  • Little Pink Anderson
  • Glenn David Andrews
  • The Animals
  • Louis Armstrong (more than once, but the 1928 version is the one I'm partial to)

  • James "Iron Head" Baker ("St. James Hospital;" a Lomax field recording)
  • Danny Barker
  • Count Basie
  • Bethany & Rufus
  • Bobby "Blue" Bland
  • Dock Boggs
  • The Graham Bond Organisation
  • James Booker
  • Elton Britt
  • Peter Brötzmann/Die Like a Dog

  • Cab Calloway
  • Isobel Campbell and Mark Lanegan
  • Big Al Carson / The Magnificent Sevenths
  • Eric Clapton and Dr. John (live)
  • Joe Cocker
  • Ray Condo
  • Harry Connick Jr.
  • J. Lawrence Cook
  • Scatman Crothers

  • D-E-F

  • Joe Dassin
  • Herman Davis ("Barroom Blues")
  • The Doors

  • Snooks Eaglin
  • Ramblin' Jack Elliot

  • Bob French's Original Tuxedo Jazz Band & Friends

  • G-H-I

  • Michael Galasso ("Blue"), an amazing piece.
  • Red Garland (a nice one)
  • Errol Garner
  • Benny Goodman
  • Andy Griffith
  • Arlo Guthrie

  • Hall Johnson Negro Choir
  • Harlem Hot Chocolates
  • Alex Hill and His Orchestra
  • Earl Hines
  • Mattie Hite ("St. Joe's Infirmary")
  • Nils Hoffmann
  • Toshiyuki Honda
  • The Hokum Boys ("Gamber's Blues," two excellent takes)

  • J-K-L

  • Janis Joplin (mentioned to me by multiple people; I don't have it)
  • Dr. John ("Touro Infirmary")
  • Tom Jones

  • Kansas City Frank and his Footwarmers
  • Johnny Kendall & The Heralds (I'm told this was huge in The Netherlands in the 1960s)
  • Stan Kenton (twice, I think, one of those as "Gambler's Blues")
  • Chris Thomas King
  • Spider John Koerner
  • Joe Krown

  • George E. Lee and his Novelty Singing Orchestra
  • Julia Lee
  • Limelighters

  • M-N-O

  • Colette Magny
  • The Main Squeeze Orchestra
  • Roger McGuinn
  • Jimmy McPartland
  • Blind Willie McTell (as "Dyin' Crapshooters Blues," in 1942 and 1956; I prefer the latter)
  • Irving Mills and His Hotsy Tosty Gang
  • Van Morrison
  • Megan Mullally

  • (Mystic Knights of) Oingo Boingo
  • King Oliver
  • Kid Ory

  • P-Q-R

  • Moses "Clear Rock" Platt. ("St. James Hospital," a Lomax field recording)
  • Preservation Hall Jazz Band
  • Hot Lips Paige
  • Perez Prado

  • Lou Rawls
  • Della Reese
  • Django Reinhardt
  • Marc Ribot (Solo guitar instrumental; one of my favorites)
  • Tony Rice ("St. James Hospital")
  • Jimmie Rodgers ("Those Gamblers' Blues," one of my very favorites; "Gambling Barrooom Blues" is similar)
  • Kermit Ruffins

  • S-T-U

  • Artie Shaw
  • Archie Shepp
  • Frederick "Shep" Sheppard ("Habari Gani")
  • Ezra Sims ("Sextet")
  • Sin the Tik
  • Jimmy Smith
  • Snakefarm
  • James Solbere
  • Muggsy Spanier
  • Pete Special/Old Town School of Folk
  • Standells
  • The Stolen Sweets
  • Jack Teagarden (at least two versions)
  • Alphonso Trent and his Orchestra
  • Triffids
  • Trombone Shorty

  • V-W-X-Y-Z

    Dave Van Ronk

  • Doc Watson ("St. James Hospital")
  • Josh White
  • The White Stripes
  • Fess Williams and His Royal Flush Orchestra ("Gambler's Blues")
  • Cassandra Wilson
  • Jackie Wilson
  • Marva Wright

  • The Ventures

  • Frank Zappa ("Ain't Necessarily the St. James Infirmary Blues," a pretty cool take)

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